Yearbooks
Price per yearbook: 13,- € (10,40 € DLG member)| Distribution: | HOLZENBURG VERLAG |
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| Editions Year of publication Order no. |
Authors | Contents |
| Nr. 1 1998 DLG 1120 |
Matthias SCHNEIDER | Experiences and ideas of a collector of lute music |
| Armin BRINZING | Forms and traditions in the German lute dances of the 16th century. | |
| Endre DEÁK | “Albo Juss Dalej”, a chanson by Sandrin in Bakfark’s transcription. | |
| Peter KIRÁLY | Some observations and comments on sources of lute music, lutenists and amateurs in the 16th and early 17th centuries. | |
| Andreas SCHLEGEL | What I have so far been able to learn from the ‘Rhétorique des Dieux‘. | |
| Nr. 2 1999 DLG 1130 |
Wolf DIETRICH | On the early history and distribution of lutes |
| Andrea Cordula BAUR | The handwritten records in the anthology of Adrian Denss (Munich State Library, 2o Mus pr. 93) | |
| Ilona FERENCZI | Geneva psalm settings for lute from the 18th century – a newly discovered source in Budapest. | |
| Peter KIRÁLY | A Falkenhagen concerto and other monuments of lute and mandora music of the 18th century in Hungary. | |
| Per Kjetil FARSTAD | Ornaments in 18th Century German Lute Music | |
| Nr. 3 - 1999 2000 DLG 1140 |
Franco PIPERNO | The Lute at the Court of Guidubaldo II. Della Rovere Duke of Urbino |
| Joachim LÜDTKE | Short pieces about Adrian Denss | |
| Kenneth SPARR | Charles de Lespine - Lutenist and Composer | |
On the facsimile edition of the folder Mus. Saec. XVIII 65.6a-z: |
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| 1. Ortrun LANDMANN | Hand-written music of the 18th century from Stuttgart in the University library of Rostock. | |
| 2. Joachim DOMNING | The Rostock lute tablatures. | |
Frank LEGL |
An old theorbo, a half cradle of wood and the winters of 1815/16 and 1816/17. |
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| Wolfgang MEYER | A Straube anecdote in a lute book. | |
| Nr. 4 - 2000 2002 DLG 1150 |
Frank LEGL | Between Grottkau and Neuburg – the latest in the biography of Silvius Leopold Weiss. |
| Rüdiger THOMSEN-FÜRST | … married to a priest in the Palatinate. On the biography of Juliana Margaretha and an unknown branch of the lutenist-family Weiss. | |
| Eszter FONTANA | Guesswork about a theorbo case in Leipzig | |
| Matthias SCHNEIDER | Who knows (Weiss)? Considerations of a striking record in a collective manuscript. | |
| Nr. 5 - 2001 2003 DLG 1160 |
Christian MEYER | The distribution of lute music in the 17th century – some comments of the work of the lutenist Johann Gumprecht |
| Ingo NEGWER | Pierre Trichet’s ‘Traité des instruments de musique‘ and Marin Mersenne’s ‚Harmonie universelle‘ – comparison of two French sources on the history of plucked instruments of the 17th century. | |
| Joachim LÜDTKE | The handwritten Mus.ant.pract. 2000 of the Lüneburg state library: the lute book of Wolff Christian von Harling | |
| Kurt BIRSAK | Salzburg sources for Mandora and Gallachon. | |
| Nr. 6 - 2002 2005 DLG 1170 |
Klaus MARTIUS - Ian WATCHORN | Tielke reloaded – observations on a lute by the Hamburg master |
| Joachim LÜDTKE | Between cabaret and walking trip – aspects of the history of the lute and its music in Germany from 1900 to 1926. | |
| Achim O. ECKHARDT | From Lachrimae to Dies Irae – selected melancholic relations in Benjamin Britten’s War Requiem | |
| Christoph DALITZ - Thomas KARSTEN | Automatic recognition of historic tablature prints | |
| Endre DEÁK - István SZABÓ | Bakfark’s “IX. Fantasie” – apparently a pastiche | |
| Peter KIRÁLY | Polish statements about the purchase of lute strings for court lutenists | |
| Joachim DOMNING | A cantata of homage by Johanna Emilia Falckenhagen. | |
| Nr. 7 - 2003 2007 DLG 1180 |
Barthold KUIJKEN | Weiss - Quantz/Blockwitz/Braun ... and Bach? |
| Frank LEGL | The entries concerning Silvius Leopold Weiss in the Catholic register of baptisms of the Dresden court. | |
| Rüdiger THOMSEN-FÜRST | Lutenists and lute music at the court of the Electoral Palatinate in Mannheim. | |
| Peter KIRÁLY | Information in sources about Paul Charl(es) Durant’s possible ancestry | |
| Nr. 8 2009 DLG 1190 |
Joachim DOMNING | The art of the lute in Franconia in the 18th century. |
| Peter KIRALY | Johann Kupezky and Johann Wilhelm Stör – Two portraitists of lute players in the 18th century and what can be learned based on their pictures | |
| Frank LEGL | Smaller new finds in the biography of Silvius Leopold Weiss | |
| Ingo NEGWER | Music manuscript and the intended musical form in Johann Sebastian Bach’s suite BWV 995 – From the critique of the sources to the facility of practical playing | |
| Nr. 9 + 10 2011 DLG 1240 |
Studies | |
| Peter KIRÁLY | Considerations about subcontracting work in lute making of the 16th and early 17th centuries. | |
| Frank LEGL | New sources for the lutenist families of Weiss, Paul Charles Durant and Wolff Jacob Lauffensteiner: Harlequinade - Silvius Leopold Weiss as Best Man. Mentions of lutenists in the letters from Friedrich Melchior Grimm to the Gottsched couple | |
| Michael TREDER | 'Pièces de Lut' by Bittner (Büttner/Bittnero) - concordances in baroque lute manuscripts of the 17th and 18th centuries. | |
| Klaus MARTIUS | “A plethora of beautiful things has blessed the way” – The lutes in the collection of Fritz Wildhagen | |
| Ralf JARCHOW | We would have been able to know, if we had wanted to know. Wolfgang Boetticher’s dark shadows on the musicology of the guitar and lute. | |
| Short contributions - Documents |
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| (Red.) | Diomedes Cato died in Danzig in 1628 | |
| István SZABÓ | Lute pieces in an organ tablature from Hungary / Transylvania. | |
| Markus LUTZ | Count von Questenberg – theorbo player in Caldara’s opera Euristeo. | |
| Nr. 11 2013 DLG 1260 |
Heinz Nickel | On sources for medieval lutes |
| Endre Deák | Bakfark miscellanies: - Assignment of a further part in the IX Fantasie by Valentin Bakfark - Comments on the afterlife of Bakfark’s VI Fantasie |
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| François-Pierre Goy | First thoughts about an important, yet unknown lute source. | |
| Markus Lutz | The famous relationships of Esaias Reusner | |
| Bernhard Fischer | The particularities of the ‘Neue Lauten-Früchte‘ and ‚Hundert Geistliche Melodien Evangelischer Lieder (Hundred sacred melodies of evangelical songs)‘ by Esaias Reusner in the Austrian National Library. | |
| Markus Lutz | Long live August the third – Silvius Leopold Weiss as a faithful subservient. | |
| Frank Legl | When and where did Paul Charl Durant die? | |
| Nr. 12 2017 DLG 1290 |
Sigrid Wirth - Gerhard Aumüller | A handwritten lute source of the 16th century in the State Archive of Hesse, Marburg |
| Piotr Poźniak | Kaspar Sielicki, a Polish lute player-composer and his works | |
| Peter Király | BWhat is known, little known and unknown about Giulio Cesare Barbetta and some comments about lute playing in Padua in his time. | |
| Markus Lutz | The London concerts of Johann Sigismund Weiss in the year 1718, and an appearance of his nephew Johann Adolf Faustinus Weiss in London 55 years later. | |
| Ladislav Kačic | New information on the years of Paul Karl Durand’s youth. | |
| Frank Legl | Grotkau or Breslau? The latest on the place and year of birth of Silvius Leopold Weiss. | |
| Nr. 13 2019 DLG 1330 |
Bernhard FISCHER | The presentation of a lute-like instrument in Roman antiquity |
| Peter KIRÁLY | Je prens en grey, la dura mourt - Bakfark‘s earliest known work. | |
| István SZABÓ | Passamezo of Hungary – a lute piece ascribed to Valentin Bakfark and its reconstruction | |
| Grzegorz JOACHIMIAK | Lutenists and scholars: the Reusner family of Silesia in the light of an old print from the files of the Breslau University library. | |
| Christian AHRENS | Lutes and bandoras as continuo instruments at the Weimar court in the 18th century | |
| Markus LUTZ | An excellent gamba player, violinist and composer - in the shadow of his elder brother: Johann Sigismund Weiss | |
| Michael LOWE | In Defence of Real Lutes and Theorbos - Why History Matters | |
Table of contents of the yearbooks for download as PDF here.